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    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/upcoming-philadelphia-art-alliance-abbey</loc>
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    <lastmod>2021-07-15</lastmod>
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    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/through-video-and-collage-abbey-williams-inverts</loc>
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    <lastmod>2021-04-01</lastmod>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/vignette-sargents-daughters</loc>
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    <lastmod>2021-03-06</lastmod>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/for-immeadiate-release-from-sargents-daughters</loc>
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    <priority>0.5</priority>
    <lastmod>2020-06-09</lastmod>
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      <image:title>News</image:title>
      <image:caption>For Immeadiate Release from Sargent’s Daughter’s: Abbey Williams x Black Mamas Matter In response to the current and urgent need to support and affirm Black life, Sargent’s Daughters is presenting a new series of drawings by Abbey Williams to raise funds for Black Mamas Matter, a cross-sectoral cultural alliance led by Black women that is dedicated to advocacy, research, and empowerment for Black mothers everywhere. Black Mamas Matter aims to provide Black mothers with the necessary resources and care—emotional, practical—that they are often deprived of due to the classist and racist nature of the American healthcare system. Abbey Williams is a Brooklyn-based video artist whose work addresses sexuality, grief, and the body through familiar cinematic forms, such as subtitles, credits, the intermission, and the black frame. Williams was set to premiere a new video for a summer exhibition at Sargent’s Daughters, but that has now been postponed due to, well, everything. Supporting Black Mamas Matter is personal for Williams: in 2009, she suffered the stillbirth of her first son. It took years for her to return to making art after this profound and devastating loss. But it also forced Williams to look deeper into the structures and politics of the American healthcare system, and why it so often fails the needs—at the most basic levels—of too many Black mothers. Black infants in America are now more than twice as likely to die as white infants — a racial disparity that is actually wider than in 1850, 15 years before the end of slavery.* Williams turns to drawing when she feels creatively blocked, or needs the immediacy of expression that such an activity provides. By inking these pages from vintage travel guides, the artist decolonizes them, foregrounding Blackness both politically and formally. There is a simultaneous sense of loss and presence in these new works that is also reiterated in her videos—she has long situated the black space in her art as an affective and narrative tool that works on the viewer in subtle or virtually imperceptible ways, repeatedly employing black frames around images or enlisting entirely black frames that cut or fade to or from black. But they aren’t interstitial. The blackness holds the same space an image would. As the images reveal themselves in this striking new project, Williams asks: What if blackness becomes the opposite of an erasure? Does blackness have to recede? Is the blackness on top of an image a redaction, or a fathomless space of possibility? About the works: Each work is ink on book page, 8 x 11 inches and priced individually at $1,750.   100% of the gallery’s portion of sales will be donated to Black Mamas Matter.   If you are unable to purchase this work, please consider giving to Black Mamas Matter directly. As Daughters we stand together with Mothers.</image:caption>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/covid-project-organized-by-desert-island-a-series</loc>
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    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/sneak-peek-overture-2019</loc>
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    <priority>0.5</priority>
    <lastmod>2020-03-08</lastmod>
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      <image:caption>Work in progress, sneak peek… Overture, 2020</image:caption>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/were-working-on-it-see-you-in-2020</loc>
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    <priority>0.5</priority>
    <lastmod>2019-08-27</lastmod>
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      <image:title>News</image:title>
      <image:caption>We’re working on it! See you in 2020…</image:caption>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/soma-mexico-abbey-williams</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-03</lastmod>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/upcoming-opening-may-4th-2019-studio-la-citt%C3%A0</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-22</lastmod>
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      <image:caption>Current: Opening May 4th, 2019, Studio la Città, Verona, Italy. The Artifact Labyrinth: Unfixed Histories, and the Language of Transformation Curated by Jacob Hashimoto “On May 4 2019 Studio la Città will be opening the group show The Artifact Labyrinth: unfixed histories and the language of transformation, a show curated by Jacob Hashimoto who, for this occasion, has invited four American artists, Dave Hardy, Dave Kennedy, Elizabeth Moran and Abbey Williams, to take part in a conceptual and visual interaction between their heterogeneous works of sculpture, installations, and video. At the heart of this dialogue between the works on show is the concept of “process”, in the sense of a creative procedure undertaken by the four artists in different ways, according to the themes that they have chosen to convey through their works. The process chosen by each one is, then, the most efficient for giving rise to thoughts, for launching a provocation, an attempt to interpret the destabilizing changes of the contemporary age, arguments that are often dealt with by the artists starting from their personal stories.”</image:caption>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/coming-up-sunday-march-10th-600-pm-come-see</loc>
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    <lastmod>2019-01-08</lastmod>
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      <image:caption>UPCOMING: Sunday, March 10th @ 6:00 PM Come see this oldie but a goodie of mine from 2002, as a part of NYC FEMINIST FILM WEEK 2019: PROGRAM 8: OBJECT SUBJECT Guest programmed by Maya Suess. Ayana Evans, Sara Jimenez, Jaguar Mary, Zina Saro-Wiwa, Abbey Williams, Jade Yumang &amp; Eleni Zaharopoulos in person. For this program, a visual and auditory exploration of the tactile, the viewers will be invited as they enter the cinema to select an object to hold for the duration of the screening. We are material creatures who encounter the tangible world through our physical senses, and we get to know our environment and ourselves through tactile experiences. Objects help us contextualize ourselves in the world, they bring us together, they help us express thoughts and ideas, they define us. This program presents works by visual artists, performance artists, and filmmakers exploring ideas of family, community, self, and sexuality through the objects around them.  Total running time: ca. 85 min. http://anthologyfilmarchives.org/film_screenings/calendar?view=list&amp;month=03&amp;year=2019#showing-50480</image:caption>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/coming-up</loc>
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    <priority>0.5</priority>
    <lastmod>2018-08-31</lastmod>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/httpsvimeocom122199122</loc>
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    <priority>0.5</priority>
    <lastmod>2018-07-03</lastmod>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/seven-senses</loc>
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    <priority>0.5</priority>
    <lastmod>2018-05-20</lastmod>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/upcoming-several-years-later-curated-by-jenny</loc>
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    <priority>0.5</priority>
    <lastmod>2018-03-06</lastmod>
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      <image:caption>Upcoming: Several Years Later, curated by Jenny Nichols March 25 - April 29, 2018 Patricia Iglesias, Lee Maida, Monica Palma, Annette Wehrhahn, Abbey Williams at Soloway Gallery</image:caption>
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  <url>
    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/upcoming-saturday-march-17th-1200pm-200pm</loc>
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    <priority>0.5</priority>
    <lastmod>2018-02-21</lastmod>
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      <image:caption>Upcoming: Saturday, March 17th 12:00pm – 2:00pm Movement Research @ Abrons Center 466 Grand St New York, NY 10002 Studies Project: All Together Now: Artist-Parent Community Meet-up with Sita Frederick, Paloma McGregor, Anthony Romero and Abbey Williams A continuation of our 2017 conversation, Does the Dance Field Make Room for Dancer-Parents? this conversation brings together a group of interdisciplinary artist-parents, dancers, organizers and children to talk about how the field can provide support through resource sharing and providing supportive environments and programs for artist parents and children alike. Re-imagining supportive community networks tailored to artists and sharing thoughts on the work and expectations of child-rearing, All Together Now: Artist-Parent Community Meet-up, hopes to create a recurring conversation focused on the experiences and needs of artist-parents and their children.   https://movementresearch.org/event/7877</image:caption>
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    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/158591970945</loc>
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    <priority>0.5</priority>
    <lastmod>2017-03-19</lastmod>
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      <image:caption>Upcoming: Tue, Nov 7, 2017 7pm BAM Rose Cinemas GENERAL ADMISSION: $15 MEMBERS: $7.50 (free for Level 4 and above) Part of 2017 Next Wave Art This film companion to the visual art exhibition Loss for Words comprises five short videos by artists addressing the slippery nature of language at a time when forms of communication are both disappearing and rapidly evolving. https://www.bam.org/events/production_cinema/2017/loss-for-words.aspx</image:caption>
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    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/tag/hyperallergic</loc>
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    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/tag/desertislandbooks</loc>
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    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/tag/anthologyfilmarchives</loc>
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    <loc>https://www.abbeywilliams.com/abbeywilliamsstudio/tag/mayasuess</loc>
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    <loc>https://www.abbeywilliams.com/home</loc>
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    <priority>1.0</priority>
    <lastmod>2025-09-17</lastmod>
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    <loc>https://www.abbeywilliams.com/press</loc>
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    <lastmod>2024-08-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/611ecaf65a589b3720963190/1629414014622-YGXMWGDTFLPZFFR0Y4BQ/Hyperallergic.png</image:loc>
      <image:title>press - Hyperallergic, Through Video and Collage, Abbey Williams Inverts the Paradigm of White Hegemony by Justin Kamp, March 30, 2021.</image:title>
      <image:caption>In her book Playing in the Dark, Toni Morrison describes how representations of whiteness and Blackness function in the American literary canon. “Images of blackness can be evil and protective, rebellious and forgiving, fearful and desirable- all of the self-contradictory features of the self,” Morrison writes. “Whiteness, alone, is mute, meaningless, unfathomable, pointless, frozen, veiled, curtained, dreaded, senseless, implacable.” This blank impenetrability is the manifestation of white hegemony, Morrison posits, while Blackness functions as its “reined-in, bound, suppressed and repressed” shadow. In her solo show Vignette, now on view at Sargent’s Daughters, Abbey Williams inverts this paradigm, reconfiguring whiteness not as a central monolith but as a narrowly-defined terrain over which Blackness can spill — unbounded, expansive, liquid. Across a series of works that incorporate video, multimedia collage, and works on paper, Williams explores how Black affective space persists within and outside the constricted frame of the white gaze. (Read more)</image:caption>
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      <image:caption>https://www.artforum.com/events/several-years-have-passed-239792/</image:caption>
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      <image:caption>Page from Greater New York 2005 catalog</image:caption>
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    <loc>https://www.abbeywilliams.com/pagecv</loc>
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    <lastmod>2025-10-01</lastmod>
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    <lastmod>2025-05-05</lastmod>
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    <loc>https://www.abbeywilliams.com/contact</loc>
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    <lastmod>2022-06-29</lastmod>
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    <loc>https://www.abbeywilliams.com/exhibitions</loc>
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    <lastmod>2025-09-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/611ecaf65a589b3720963190/a5265e86-4cb0-46ff-a15d-e7e337205e62/GWG-Catalogue-Quartet-2023+%28dragged%29.png</image:loc>
      <image:title>exhibitions - Make it stand out</image:title>
      <image:caption>Catalog PDF HERE</image:caption>
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      <image:caption>Until I Get It Together, 2025, A.I.R Gallery, NYC</image:caption>
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